Movies Opinion

Dopest Movies of 2018

I don’t watch as many movies as I used to back in the ‘ol Splattercast days, but I did see a few last year and you people are gonna hear about it! Here are my favorites:


Hereditary is an instant classic, it ranks right up there with Rosemary’s Baby, The Shining and The Exorcist. The trailer alone is better than most other films I’ve watched this year. I think some critics feel it goes a little too bananas in a couple spots but I say tally ’em up because this movie rules. It’s all the more impressive when you consider it’s writer/director Ari Aster’s debut feature. Do yourself a favor and NEVER EVER watch his only prior work, the short film The Strange Thing About the Johnsons. Holy cow, dude. No.


Mandy leans hard on the whole neon-soaked drippy-trippy thing, but I think it works out splendidly. Nicolas Cage is perfect; could anyone else even come close in this role? Not to mention Cheddar Goblin, whose presence alone more than justifies the entire production.


Revenge is not just a glitzy take on the terminally icky rape-revenge subgenre, it’s a cracking good action flick in its own right. It’s amazing that this, like Hereditary, is a debut feature. I can’t wait to see who director Coralie Fargeat cuts to ribbons next.

The Ritual

The Ritual features one of the most astounding movie monsters in recent memory, and probably ever. Yet even more harrowing is the meditation on the horror of failing your bros when the chips are down.


Eerie and deeply strange, Annihilation forgoes conventional alien invasion tropes and imagines something else entirely. Forget giant spaceships or egg-laying brood swarms – this is scarier.

The Night Comes for Us

Watching The Night Comes for Us is like sticking your head into a woodchipper. Except, you know… it’s fun.


Upgrade gives me a late-night, throwback VHS vibe that I dig. It’s cool but goofy, slick but cheap. Who doesn’t wish they had guns for hands?

The Predator

I know The Predator was a box office flop, but I loved it and I don’t blame the film at all. I think the contemporary audience simply does not care about this franchise anymore. Too bad, I’d like to have seen a sequel.

Death Wish

Did we really need a Death Wish remake? Probably not, but I’m a sucker for this street-level action stuff. The updated riff on the iconic final beat is great.

Teen Titans Go! To the Movies

Some people don’t like the hyper-irreverent humor of Teen Titans Go! Those people are joyless turds and they are wrong.

Spider-Man: Into the Spider-Verse

I haven’t given a crap about Spider-man for years but Spider-Verse won me over easily. It’s full of heart and fun, with just enough serious stuff to give it weight without being too dark for kids. I saw both Spider-Verse and Teen Titans Go! with my older two daughters (ages 12 & 8). They loved the movies and my own experience was greatly enhanced by sharing it with them.

Puppet Master: The Littlest Reich

Puppet Master is a garbage-tier franchise. However, when I saw that this latest installment was written by S. Craig Zahler, I had to check it out. Zahler wrote and directed Bone Tomahawk and Brawl in Cell Block 99, both of which are excellent. Brawl would have been at the top of my “Best of 2017” list, if I had bothered to make one. As an aside, Zahler’s latest, Dragged Across Concrete, may have technically debuted in 2018 but I can’t find it available to watch anywhere. I assume it’s rad.

So, anyway, yes, Zahler and directors Sonny Laguna & Tommy Wiklund came through and made an entertaining Puppet Master movie. It’s still goofy as hell – how could it not be? – but it’s also got actual characters and the gore gags handily surpass anything the previous dozen or so films in this misbegotten series ever mustered.


Jettisoning the continuity of the existing sequels was a great move for the new Halloween. They boil it down, make Michael Myers scary again, and actually go somewhere with the story.

The Clovehitch Killer

There was a serial killer whodunnit last year called Summer of ’84 that a lot of people liked, but I just didn’t care for it – although I do appreciate how it threw a bucket of cold water on the ’80s nostalgia trend with its ultragrim final act. The Clovehitch Killer, on the other hand, reeled me in with its portrayal of an otherwise idyllic small community picking up the pieces after being menaced by a killer who was never caught. If you only have time for one sicko-next-door movie, I recommend The Clovehitch Killer.

The Endless

The Endless is unique in that it’s a sort-of sequel to a completely separate movie, but even mentioning that fact is a spoiler of a sort. For those of us who were fortunate enough to see the movies in the correct order and without any inkling of the connection, The Endless was a really cool, really novel experience. Shout-out to my friend Rachel who subtly led me there.

Most Overrated: Mission: Impossible – Fallout

Yes, the helicopter chase is neat. Sure. But that may as well be a Red Bull promotional stunt, there’s no movie wrapped around it. Mission: Impossible – Nonsense Subtitle sucks. Nothing happens in this movie (killing Alec Baldwin doesn’t count). There are no stakes and Tom Cruise is getting doughy. Ving Rhames and the English nerd guy destroy the credibility of the whole affair; their characters don’t belong anywhere near any peril. I don’t think Ving Rhames could probably tie his own shoes, so yeah, of course he loses the MacGuffin in the opening scene. And don’t link me any dumb gifs of Henry Cavill “reloading his biceps.” Some behind-the-scenes footage of the cast of The Night Comes for Us getting lunch at the craft services table is certainly more badass than Henry Cavill in this movie. Lastly, we’re supposed to believe the bad guys are super-geniuses but if they were really so smart that one guy would have known he was being lied to as soon as he saw Wolf Blitzer.

Best Old-New-Thing: The Last Drive-In with Joe Bob Briggs

I became a fan of Joe Bob Briggs back when he hosted TNT’s Monstervision in the late 1990s. In 2018 the genre streaming service Shudder brought Joe Bob back to do a 24-hour marathon, and it was glorious. The movie choices were fine, but they honestly could have been anything – it’s all about the Joe Bob segments. The Last Drive-In was billed as a farewell to movie hosting, but it was so popular that Shudder has had Joe Bob back to do two more mini-marathons since that first one.

Thus concludes my Dopest Movies of 2018 list. I know there are a few things I missed that probably would have made the cut – I hear great things about Suspiria and Overlord, for example, but I just never got around to seeing them.

Thanks for reading!

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